By Jeanine Basinger
During this hugely readable and exciting publication, Jeanine Basinger indicates how the "woman's film" of the 30s, 40s, and 50s despatched a powerful combined message to hundreds of thousands of girl moviegoers. even as that such motion pictures exhorted girls to stay to their "proper" realm of fellows, marriage, and motherhood, they portrayed -- frequently with have fun with -- robust ladies taking part in out freeing fantasies of strength, romance, sexuality, luxurious, even wickedness.
Never brain that the celluloid personas of Bette Davis, Myrna Loy, Katharine Hepburn, Joan Crawford, or Rita Hayworth see their folly and go back to their guy or lament his loss within the final 5 mins of the image; for the 1st eighty-five mins the viewers watched as those characters "wore nice outfits, sat on nice furnishings, enjoyed undesirable males, had plenty of intercourse, advised the realm off for proscribing them, even gave their young ones away."
Basinger examines dozens of movies -- even if melodrama, screwball comedy, musical, movie noir, western, or biopic -- to make a persuasive case that the woman's movie was once a wealthy, complex, and subversive style that well-known and addressed, if covertly, the issues of ladies.
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Extra info for A Woman's View: How Hollywood Spoke to Women, 1930-1960
They crossed an empty space where two halls met; they retreated noisegers of her free hand room where a sleeper lay breathing against a dimly lit window, while someone passed in the corridor outside. When the steps faltered for a moment, the fat man gasped and Alyx wrung his wrist, hard. There was a cough from the corridor, the sleeper in the room stirred and murmured, and the steps passed on. They crept back to the hall. Then he told her where he wanted to go. " She had pulled away, astonished, with a reckless hiss lessly into a of indrawn breath.
The power in gold and silver that attracts thieves was banal, in this thief s opinion, but to stand in the shadows of a sleeping house, absolutely silent, with no object at all in view and with the knowledge that if you are found you will probably have your throat cut—! She began to think better of him. This dilettante passion for the craft, this reckless silliness The Barbarian 53 seemed to her as worthy as the love of a piece of magnetite for the North and South poles—the "faithful stone" they call it in Ourdh.
She was three motionless feet away from him as he stooped to examine it; he never straightened up. The fourth guard (he was in the anteroom, in a feeble glow that stole through the hangings of the nursery beyond) turned to greet his friend— or so thought— and then Alyx judged she could risk a little speech. " 'Don't let it bother you, said the fat man. Through the parting of the hangings they could see the nurse, asleep on her couch with her arms bare and their golden circlets gleaming in the lamplight, the black slave in a profound huddle of darkness at the farther door, and a shining, tented basket— the royal baby's royal house.